Review: Internment

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Review for "Internment" by Samira Ahmed (2019)

Rating: None (DNF)

Not going to rate this because I DNF’d this one, right at about 30%.

“Fifteen minutes into the future,” Muslim-American teenager Layla finds herself in an internment camp in the desert of California, placed with her family there after an Islamophobic president (sound familiar?) enacts an Exclusion Law, prompting the government to round up Muslims and relocate them. It’s pretty horrifying but feels achingly real in today’s climate: neighbors turning on other neighbors, the government pursuing those who resist. Layla and her family are taken to a dusty outpost in the California desert and treated not much better than animals. Despite the harsh reality of the camps and the danger of escape, Layla begins to plot how to take down the system for good.

The idea behind this book is excellent, exactly why it immediately found its way on my TBR list. But the execution, MY LORD…

For one, let’s talk about the universe of this novel. We’re told this story occurs “15 minutes” in a not so distant future, but there is no build up or explanation of how we got here. The author assumes we get it, but I’m sorry–all of us don’t. The premise is heavily based on the Japanese internment of WW2, but the author makes the assumption that her readers have a detailed understanding of these events. Even if the topic is contemporary, worlds still must be built up, a reader needs to feel as if they’re a part of it. I didn’t get this at all here. There’s no effort to familiarize or explore the background, just a small info dump and then bam….we’re in the camp with Layla.

Two: the characters. There’s not much to Layla’s voice. She hates the camp, she disagrees with her docile parents, she thinks about her boyfriend a lot. Granted I didn’t finish it, but with this basic info–why would I want to? The guards and the director of the camp yell and pound their fists and drag people away like your typical stock bad guys. There’s a lot of telling here and very little showing, I wasn’t compelled and I wasn’t convinced.

Overall, great idea but not executed with a whole lot of care and consideration.

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Review: A Woman is No Man

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Review for "A Woman is No Man" by Etaf Rum (2019)

Rating: 4.1 out of 5 stars

I just finished this book last night. I went back and forth between a 3 and a 4 for a while before finally deciding on a low 4, with reservations.

“A Woman is No Man” is the story of three generations of Palestinian Muslim women and the lives they lead, which are completely constrained by the demands of men, child-rearing, family, their community, and faith. The story begins in the early 90’s with Isra, a young girl growing up in Palestine whose marriage is arranged to Adam, a Palestinian-American man. They marry and go back to New York City, where over the next several years, Isra bears four daughters. With each pregnancy Isra becomes more and more depressed, sad, and eager to please Adam, who drinks and beats her. Her mother in law, Fareeda, is cruel as well, constantly demanding that she give Adam a son.

The story continues with Deya, Isra’s oldest daughter, in the late-00’s. She is a young girl going to a Muslim school and living in NYC with her grandmother, Fareeda, who is attempting to marry her off to a Palestinian man. We are told that both of her parents died in a car accident when she was 7 years old. She has very few memories of her mother. Deya does not wish to marry, but to go to college. She never questions the story behind her parents’ demise until she receives a letter from a stranger, who begins to counsel her and eventually, tell her the truth about her parents. As she learns about the tragic past, Deya’s memories of her mother come back to her gradually and she grows stronger in her desire for independence.

The narration of the novel shifts between Isra’s account and Deya’s, and later on in Part II, Fareeda’s voice is thrown in, whom we learn also has secrets in her past. I didn’t have a problem with this, but the pacing of the novel is a problem. At about 75%, we find out the truth of what really happened to Isra and Adam. The book drags on for another 25%, repetitively repeating each narrator’s details of an event that we already know about.

Another problem is the lack of nuance of this book. In traditional Palestinian society, women are married off young, expected to raise children, cook, clean, sit at home, and wait for their husbands to tell them what to do. They are discouraged from reading, going to college, or venturing anywhere outside their homes without a man. Every page or two, a character’s words or actions remind you of this until you’re practically screaming: “WE GET IT!” I understand that the author really wanted to drive home her point about the suffering of women, but there’s such an excessive amount of detail given here that if I weren’t careful, I could begin to assume that all Palestinian households are like this one. I know better, though. The lack of nuance is so strong here that the story tilts toward being unrealistic, the characters one-dimensional.

So, there it is–a 4. I do recommend you read this book, however. Perhaps you’ll like it better than I did.

Review: A Good Kind of Trouble

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“A Good Kind of Trouble” is about a young Black girl named Shayla navigating through typical middle school struggles: boys, school dances, friendships, teachers. Her older sister is an activist and involved with a local chapter of Black Lives Matter but Shayla steers clear, not wanting to risk getting in what she perceives as ‘trouble.’ However, when the police shoot an unarmed Black man near her neighborhood, Shayla decides to take a stand for what she believes and takes on more ‘trouble’ than she bargained for.

I liked this book. I would call it the younger sister of “The Hate U Give” with a similar theme and main characters, but aimed at younger readers. The major difference in the two is that this book expressly mentions Black Lives Matter by name, while THUG doesn’t (THUG’s connection to BLM is assumed, however). Therefore, the explicit naming of Black Lives Matter here is notable. The police violence stayed mostly in the background of the novel as an ongoing trial, and while it’s not the primary plot it’s pretty clear that this is the reason why Shayla speaks out. I would have liked a more direct connection to this plot point, but perhaps indirectly is the best way to expose this topic to younger readers without making this book TOO heavy.

I also appreciated how this book respected struggles that are distinct to youth of color, i.e., the pressure to conform to racialized norms. Shayla’s best friends in the book are Asian and Latinx, however, it’s only in the 7th grade that she begins to receive pushback from Black peers about “acting White.” I enjoy the way the book grapples with the idea of being Black beyond stereotypes and encourages kids of color to be themselves.

Great book about a complex and nuanced topic without being preachy or sad.

Review: The White Book

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Review for "The White Book" by Han Kang (2019)

Rating: 3 out of 5 stars

Ok, so this one’s been on my TBR list for a while. This is a short review because it’s not much meat on this one. It’s a minimalist manifesto dedicated to all things…well, white. Duh.

In this book, author Han Kang makes of a list of things that are white (fog, snow, smoke, etc) and writes short, meditative-style vignettes about each of them. It’s a concept kinda book with a minimalist style with writing that’s definitely good but I couldn’t help but feel as if I was ‘missing’ something that wasn’t there, perhaps something between the lines.

Maybe one has to be in the right kind of mood “get” this book or something. Either way, this volume wasn’t for me. I won’t stop reading Han Kang though.

Read this if you’re into experimental writing.

Review: Bedfellow

Back, at least for right now. Thanks for waiting on me. 🙂

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Review for "Bedfellow" by Jeremy C. Shipp (2018)

Rating: 3 out of 5 stars

Ok, the cover of this was creepy enough to make me pick it up at the library and begin reading it, but then it got really really weird and confusing, so I began skimming pages in the last quarter.

In “Bedfellow,” a typical nuclear family, the Lunds (Dad, Mom, daughter, son), is unexpectedly visited by a strange intruder who slides into their living room window late one night. The family members react to this is in calm, nonchalant way that immediately makes you uncomfortable as hell. The father, Hendrick, begins to converse with the man and eventually realizes that he “knows” him. The visitor is asked to stay the night in the guest room. The visitor is not a typical person–he vomits a lot, drinks copious amounts of Gatorade, and talks constantly about 80’s pop culture movies. Weird.

I wish that the reading experience gets easier from here but it doesn’t. Slowly, as the story progresses, each family member recalls past memories with this strange visitor as either a friend or a family member. Eventually, the visitor begins to impose his own evil agenda upon the family, from which there is little resistance. The novel is told in alternating perspectives between each member of the Lund family, who often contradict one another’s accounts.

I gave this book three stars because I can understand what the author was trying to do, which is leave just enough bread crumbs to a plot to keep you turning the pages. However, the plot was too elusive and kept wriggling out of my grasp, beyond my reach. When I finally did get a hold of what’s happening, it was too late for me to care about the characters, the story, or anything important here.

This book is a perfect example of how too much of the unusual can muck up what could be a great story. If you do read this, try to hang in there past the first 100 pages. You’ll be better off than I was.