Review: Brother

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Review of "Brother" by David Chariandy (2018)

Rating: 5 out of 5 stars

A short, well written novel that behaves like a much longer book. Believable characters, relatable plot.

“Brother” is the tale of Michael, a young man living with his elderly mother in the public housing sector of Scarborough, a working class borough of Toronto, Ontario. At the beginning of the story, we learn that Michael has lost his older brother Francis in an act of violence 10 years before, though we’re not told much more than that. The story follows Michael as he opens his home to Aisha, a young neighborhood woman from his past, to the drudgery of his dead end job at a grocery store, to the agony of keeping track of his mother so she won’t wander off in the streets (no doubt, the beginning of a probable case of dementia).

This book also wanders through the past. We witness Michael’s perspective of him and his brother’s upbringing as first-generation immigrants from Trinidad. We also watch the rejection of their father and their acclimation to life in Scarborough’s streets, hanging with friends listening to hip hop and their run-ins with local cops. The cause of Francis’ death is revealed in the end, but it wasn’t a buzz kill to the book. It’s a natural progression of events, the missing piece that finally puts the story together. I won’t tell you to avoid spoiling it, but it all gives the book a sense of purpose.

Even though the novel’s setting is Canada, I never got the sense that it absolutely needed to take place there. This story could have been in the U.S., in Britain, in Europe, in South Africa–anywhere where there’s a system of stratification in which social inequalities still exist. The backstreets and the ghettos of this book are anywhere and everywhere.

The writing here is quite beautiful. Even though it’s less than 200 pages, it took me a while to read it because I wanted to really read and savor it.

Five stars, my friends.

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Review: Brother

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Review for “Brother” for Ania Ahlborn (released on September 29. 2015)

Rating: 4.5 out of 5 stars

Creepy, horrifying, disturbing, gross. And excellent.

Did I mention that I am giving this book 4.5 stars?

This book is horror at its best. The Morrows are a West Virginian family living deep in the Appalachian wilderness (think: “Deliverance”), so deep that “no one can hear the screams.” And for good reason. The Morrows–mom Claudine, dad Wade, and their son Rebel–are a family of psychotic killers that prey on young women that are unfortunate enough to cross their path. This book follows the thoughts of nineteen-year-old Michael, Rebel’s “adopted” brother and the polar opposite of the Morrows. Although he participates in his family’s gruesome “activities,” he gets no pleasure from them. He dreams of other possibilities for his life and contemplates running away when he meets an attractive girl in town named Alice.

[Pause.]

To tell you more about this book is to completely spoil it, which I won’t do. There are flashbacks throughout this novel, that, when taken as a whole, make the events you’re reading about all the more disturbing. There is also a sickening, depraved twist in this novel that I won’t give away either, other than to say that I did not see IT coming, even from a million miles away…

I don’t think I want to know where Ania Alhborn got the idea for this book. A lot of the details harken back to the original “Texas Chainsaw Massacre” but in the Acknowledgements section, the author says she didn’t get her inspiration from that movie. Regardless, I was completely engrossed in this book. It’s a must read, especially if you like horror, and extremes are your thing. Highly recommended!

[NOTE: I received an advanced publishers’ copy of this book from NetGalley in exchange for an honest review.]